The most prominent feature of Di Vogo is the mildly absurd poetical "white irony" of his own and other drawing masteries. He admits that in his paintings the idea of seeing with eyes and talking through shape expands sublime receptive temptation not in a manner of predestined codes and secrets, a bit eclectic artful maps, but by self-deciphering of the emotional state of the one who receives, his silent adventure in the holly grapple with Beauty that is trying to resist the historically rationalized property.

Radivoj Sajtinac

Zone of Optimism, 107 x 107 cm, Acrylic and oil on canvas, 2001.

Angel Twins, D - 30 cm, Acrylic and oil on wooden panel, 2002.

King of Fishermen, 65 x 90 cm, Acrylic and oil on canvas, 2001.

Great Great Lorenzo, 70 x 50 cm, Acrylic and oil on canvas, 2002.

You Are, 65 x 80 cm, Acrylic and oil on canvas, 2001.

Bride, 40 x 40 cm, Acrylic and oil on canvas, 2002.

Beatle, 26 x 43 cm, Acrylic and oil on wooden panel, 2002.